This Canadian sextet flew under the radar until 2004, when they exploded onto the scene with their debut LP, Funeral. From the moment I first listened to these guys, I realized this was something special. A few openers for U2, an endorsement from Chris Martin as “the greatest band in the history of music”, a TIME magazine cover story, and a debut at #2 on Billboard’s sales chart launched them into the spotlight and brought us last year’s Album of the Year, Neon Bible.
But without Funeral, there would be no Neon Bible. I can’t think of any other debut album that blew me away this much, at least not off the top of my head. It received rave reviews from tons of media outlets, including a 9.7 from the notoriously elitist and harsh Pitchfork media. So what makes this album so great? It’s the layers. All of the band’s. talent, creativity, anger, mournfulness, sorrow, pain, and frustration is interwoven into the music. Every riff, every syllable, every bass line, every drum beat can be broken down and analyzed time after time, giving the album unlimited replay-ability.

